ArtFunkl Artists' Residency And Initiative
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  • Home
  • About
  • Alumni Profiles
    • ArtFunkl Alumni Profiles No. 1 - JJ Foley
    • ArtFunkl Alumni Profiles No. 2 - Sara Maia
    • ArtFunkl Alumni Profiles No. 3 - Marina Y Kelly
    • ArtFunkl Alumni Profiles No. 4 - Juliana Kase
    • ArtFunkl Alumni Profiles No. 4 - Juliana Kase Interview
    • ArtFunkl Alumni Profiles No. 5 - Swagata Bose
    • ArtFunkl Alumni Profiles No. 6 - Lisa Gingles
    • ArtFunkl Alumni Profiles No. 7 - Kristan Saloky
    • ArtFunkl Alumni Profiles No. 8 - Laurie Sumiye
  • Past Residents
    • Marina Y Kelly
    • Rachel Sylvan
    • Amy Cameron
    • Andrea Newton
    • Lucie Kryzová
    • Nadine Trushina
    • Hye Weon Shim
    • Sumit Sarkar
    • Shahribanu Abdulaziz
    • Irene Reiserer
    • Jacob Watmore
    • Martyna Alexander
    • Zainabu Jallo
    • Helena Laine
    • Gloria Hernández
    • J J Foley
    • Ivana Salfity
    • Adi Zilberman
    • Cat Volant
    • Agnieszka Lasota
    • Mair Cook
    • Ali Spechler
    • Mayo Koide
    • Satheesh Paul
    • James Charlton
    • Lisa Gingles
    • Monika Rosen
    • Amy Cannestra
    • Anil Saldiran
    • Kristan Saloky
    • Ugochukwu Durueke
    • Candace Couse
    • Kathryn Williamson
    • Chen-Hsi Wong
    • Daphne Jiyeon Jang
    • Charlotte Emily
    • Sul Ki Park
    • Rachel Post
    • Shani Peters
    • Sullivan Goba-Blé
    • Swagata Bose
    • Sònia Ferré Toneu
    • Satoko Nagashima
    • Laurie Sumiye
    • Juliana Kase
    • Sophie Graniou
    • Ding Ren
    • Paula Petroll
    • Danielle O'Malley
    • Michael Grant
    • Sara Maia
    • Aya Michlin
    • Damian Linossi
    • Marina Stavrou
    • Marta Primavera
    • Mike Crane
    • Christopher Augerson
  • Open Studios
    • End Of ArtFunkl Garden Party
    • Valencia 09
    • Valencia 08
    • Aspirus 10 & Scribus 16
    • Aspirus 09
    • ArtFunkl Offsite 05: Rogue Project Space
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    • ArtFunkl Offsite 04 Islington Mill
    • ArtFunkl Offsite 03 Malgras : Naudet Gallery
    • Metamorphosis 04 Residency
    • Metamorphosis 03 Residency
    • Metamorphosis 01 Residency
    • Merbarn Environmental Engagement
    • Morphallaxis 06 Residency
    • Morphallaxis 05 Residency
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    • Host 02 Screening
    • Morphallaxis 02 Residency
    • Morphallaxis 01 Residency
    • Host 01
    • ArtFunkl Offsite 01 - The GMCC Index (1974 - 1986)
    • Conception Residency
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Amy Cannestra

Picture
Picture

Residency: Aspirus 03

13 May - 24 June 2013

Primarily a video artist, the recent work of Amy Cannestra (b USA) looks at pain from three different perspectives. She has recently been working with two different neuroscientists, one that looks at pain through fMRI technology, and one that looks at pain in a cell by cell comparison, the third aspect she examines is the emotional. Each version of pain is very different from one another, but at the same time always affects what and how we feel.
​

It has been said, that no matter how we try, we can never experience how another person feels pain. Cannestra would like to challenge that idea and in order to explore this her current work examines the same story told by a variety of individuals in different voices (first, second and third person), and intertwines them to remove the subjective nature of the narrative.

If the subject is removed, will the viewer relate more or less? Will the story become less about what they are seeing and more about the personal experience that the story evokes, or vice versa?

The story assembled for the purposes of this project derives from a combination of writings by neuroscientist Oliver Sacks. During his career as a neuroscientist, Sacks compiled case studies looking at brain trauma, and the way that it changes how a person perceives the world, including how one perceives pain. These reports were published for popular consumption, rather than for his colleagues in the field, and are written in such a way that they are easy for a non scientist to digest. This make them ideal for Cannestra's purpose since it is easier to relate the stories to the self than more academically slanted texts would be.
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